by Amelia Gray | Interviews
FC2 was the kind of press I’d save my cash for at writers’ conference book sales. Or if I didn’t have any cash, I’d spend hours browsing the catalog online. Between FC2 and Dalkey Archive, I have spent all my imaginary dollars.
by Kit Reed | Interviews
I’d read about FC2 for a long time, which meant that when I joined the board of National Book Critics Circle in the ’90s I was excited to meet Ron Sukenick who, I decided, looked a bit like John Updike, the big difference being that Ron was a warm, immediate, generous and — do I dare say lovable? — person.
by Lance Olsen | Interviews
Although FC2 feels like something I’ve always known about at a sort of cellular level, the truth (and I use the term loosely) is that I was a sophomore at the University of Wisconsin, thumbing through new arrivals at the library late one Friday night, when I stumbled across a copy of 98.6.
by Michael Martone | Interviews
The four winds, humors, blood types, corners, directions, seasons, the four chambers of the heart, the four chambers of a cow’s stomach, the four-in-hand knot, the four railroads of Monopoly, four eyes, four dead in Ohio, the four speeds of the record player playing quartets, Motown and Moptops.
by Lynn Kilpatrick | Interviews
I first heard about FC2 when I was an editor at Quarterly West, the literary magazine at the University of Utah. We published several of their authors and FC2 would send us books when they were published. Sometime in there I bought Brian Evenson’s The Wavering Knife.